The Glade 4.0

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PostPosted: Wed May 11, 2011 2:32 pm 
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PostPosted: Thu May 12, 2011 4:27 pm 
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Because of that dickhead darksiege...

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PostPosted: Sat May 14, 2011 3:46 am 
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And, finally, probably the best Paul Simon tune of all time....

(Chicken and Eggs anyone?)


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PostPosted: Sat May 14, 2011 10:49 am 
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Grrr... Eat your oatmeal!!
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PostPosted: Sun May 15, 2011 6:37 am 
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I got nothin.
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PostPosted: Sun May 15, 2011 6:50 am 
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Also this:


I think there's at least *one* other KLF fan here.

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PostPosted: Thu May 19, 2011 9:48 am 
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PostPosted: Thu May 19, 2011 2:27 pm 
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One EskimO - "Kandi"


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PostPosted: Thu May 19, 2011 2:34 pm 
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PostPosted: Mon May 23, 2011 11:10 am 
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PostPosted: Mon May 23, 2011 12:30 pm 
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Midgen, you made me dig out my vinyl re Simon and Garfunkle.

Yes I have it on an out of date format. :P

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PostPosted: Mon May 23, 2011 12:32 pm 
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Hey, Vinyl is making a comeback. What's old is new again! =)

I have a ton of vinyl, unfortunately it's not anything I care to own (stuff I inherited from my Father), and even if I did, I have nothing to play it on.


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PostPosted: Mon May 23, 2011 12:45 pm 
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Midgen, you're a heathen. Paul Simon's best solo work was The Coast.


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PostPosted: Mon May 23, 2011 2:00 pm 
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You know, I've been wandering around this planet for darn near 50 years now, and to my knowledge, this is the first time I've been called a Heathen. :D

I lost interest in Paul Simon after he made his pilgrimage to Africa, then came back and started screwing up all of his classic American folk tunes. I just didn't care for that direction.

For me, his best work was when it was just him (or him and Art) with a couple of acoustic guitars and some percussion, but, as they say.. to each his/her own =)


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PostPosted: Mon May 23, 2011 2:22 pm 
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Midgen wrote:
You know, I've been wandering around this planet for darn near 50 years now, and to my knowledge, this is the first time I've been called a Heathen. :D

I lost interest in Paul Simon after he made his pilgrimage to Africa, then came back and started screwing up all of his classic American folk tunes. I just didn't care for that direction.

For me, his best work was when it was just him (or him and Art) with a couple of acoustic guitars and some percussion, but, as they say.. to each his/her own =)

Don't get me wrong; I like the other style, too. Elegance in simplicity, and all that. But The Coast (as well as a couple others on Rhythm of the Saints) really impress me in how they combine complexity and bright tones to achieve a very mellow, soothing energy.

If you wanted me to name his best works without the solo qualifier, though, it would definitely be a dead heat between about half a dozen Simon and Garfunkel era tunes. Simon and Garfunkel stand out as the creators of many classic Americana harmonies. I think the stark lack of the vocal harmony in comparison is what tilts me more towards his later solo work when you force me to pick favorites. I can't help but listen to his early 70's stuff and go, "man, but what if this had something nice and folksy backing it, too?" Instead, he ends up recording multiple tracks himself, and it ends up sounding overproduced.

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PostPosted: Mon May 23, 2011 3:16 pm 
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Squirrel Girl wrote:
Midgen, you made me dig out my vinyl re Simon and Garfunkle.

Yes I have it on an out of date format. :P


The Best Buy in my area just started selling vinyl again with all sorts of new goodies included, as well as the ability to get the songs on them digitally. And it's not just older records either. For instance, one of the vinyl albums was Chickenfoot.

It's not a huge selection, but it's a selection. A new selection. Of vinyl.

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PostPosted: Mon May 23, 2011 4:07 pm 
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Curse you Foamy... viewtopic.php?p=145871#p145871


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PostPosted: Tue May 24, 2011 4:03 pm 
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Ok. Now I'm trying to decide if I like this version or the They Might Be Giants version. I'm imagining myself sitting in a lounge chair with velvet smoking jacket on and a dry martini in my hand.

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PostPosted: Tue May 24, 2011 4:57 pm 
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Holy cow, I never knew TMBG's version was a cover. This was my knowledge of it (as well as the original source):



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PostPosted: Tue May 24, 2011 9:40 pm 
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Utterly. Epic.

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PostPosted: Wed May 25, 2011 7:34 am 
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Charles Bradley - Heartaches and Pain


Charles Bradley - The World (Is Going Up In Flames)

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PostPosted: Sun May 29, 2011 10:24 am 
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PostPosted: Sun May 29, 2011 3:24 pm 
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From Wikipedia,

The Four Lads original version

"Istanbul (Not Constantinople)" was originally recorded by the Canadian group The Four Lads on August 12, 1953. This recording was released by Columbia Records as catalog number 40082. It first reached the Billboard magazine charts on October 24, 1953, and it peaked at #10. It was the group's first gold record.[2][3]

Jasmy and I are both too young to remember the first release.

Istanbul

The modern Turkish name İstanbul (pronounced [isˈtanbuɫ]) is attested (in a range of variants) since the 10th century, at first in Armenian and Arabic and then in Turkish sources. It derives from the Greek phrase "εις την Πόλιν" or "στην Πόλη" [istimbolin], both meaning "in the city" or "to the city";[6] a similar case is Stimboli, Crete. It is thus based on the common Greek usage of referring to Constantinople simply as The City (see above). The incorporation of parts of articles and other particles into Greek placenames was common even before the Ottoman period, Navarino for earlier Avarino,[7] Satines for Athines, etc.[8] Similar examples of modern Turkish placenames derived from Greek in this fashion are İzmit, earlier İznikmit, from Greek Nicomedia, İznik from Greek Nicaea ([iz nikea]), Samsun (s'Amison = "se + Amisos"), and İstanköy for the Greek island Kos (from is tin Ko). The occurrence of the initial i- in these names may partly reflect the old Greek form with is-, or it may partly be an effect of secondary epenthesis, resulting from the phonotactic structure of Turkish.

İstanbul was the common name for the city in normal speech in Turkish even before the conquest of 1453, but in official use by the Ottoman authorities, other names such as Kostantiniyye were preferred in certain contexts. Thus, Kostantiniyye was used on coinage up to the late 17th and then again in the 19th century. The Ottoman chancelery and courts used Kostantiniyye as part of intricate formulae in expressing the place of origin of formal documents, such as be-Makam-ı Darü's-Saltanat-ı Kostantiniyyetü'l-Mahrusâtü'l-Mahmiyye.[9] In 19th century Turkish bookprinting it was also used in the impressum of books, in contrast to the foreign use of Constantinople. At the same time, however, İstanbul too was part of the official language, for instance in the titles of the highest Ottoman military commander (İstanbul ağası) and the highest civil magistrate (İstanbul efendisi) of the city.[10] İstanbul and several other variant forms of the same name were also widely used in Ottoman literature and poetry.[2]

After the creation of the Republic of Turkey in 1923, the various alternative names besides İstanbul became obsolete in the Turkish language. With the Turkish Postal Service Law of March 28, 1930, the Turkish authorities officially requested foreigners to cease referring to the city with their traditional non-Turkish names (such as Constantinople, Tsarigrad, etc.) and to adopt Istanbul as the sole name also in their own languages.[11] Letters or packages sent to "Constantinople" instead of "Istanbul" were no longer delivered by Turkey's PTT, which contributed to the eventual worldwide adoption of the new name.

In English the name is usually written "Istanbul". In modern Turkish the name is written "İstanbul" because in the Turkish alphabet dotted i (capital İ) is a different letter from dotless ı (capital I).

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PostPosted: Mon May 30, 2011 5:03 am 
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I keep listening to massive attack, over and over again. I think there may be something wrong with me.


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PostPosted: Mon May 30, 2011 7:59 pm 
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Pretty much as far on the screemo side of the spectrum as I'll go, but they actually sound damned good live. Either they have a **** ton of live processing or the PA crew just did a good job mixing it. Either way, the performance itself is pretty damned tight.

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