The Glade 4.0

In comic strips the person on the left always speaks first. - George Carlin

Holy ****... it's screeling...

Why we play RPGs.

19 Yet she became more and more promiscuous as she recalled the days of her youth, when she was a prostitute in Egypt. 20 There she lusted after her lovers, whose genitals were like those of donkeys and whose emission was like that of horses.

what

In comic strips the person on the left always speaks first. - George Carlin

In comic strips the person on the left always speaks first. - George Carlin

The Rite of Spring, original French title Le sacre du printemps (Russian: Весна священная, Vesna svyashchennaya), is a ballet with music by Igor Stravinsky; choreography by Vaslav Nijinsky; and concept, set design and costumes by Nicholas Roerich. It was produced by Sergei Diaghilev for his Ballets Russes ballet company and had its première in Paris on 29 May 1913.
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After undergoing revisions almost up until the very day of its first performance, the ballet was premièred by the Ballets Russes on Thursday, 29 May 1913 at the Théâtre des Champs-Élysées in Paris, conducted by Pierre Monteux.
The première involved one of the most famous classical music riots in history. The intensely rhythmic score and primitive scenario and choreography shocked the audience that was accustomed to the elegant conventions of classical ballet.
The evening's program began with another Stravinsky piece entitled “Les Sylphides.” This was followed by, “The Rite of Spring”. The complex music and violent dance steps depicting fertility rites first drew catcalls and whistles from the crowd. At the start, some members of the audience began to boo loudly. There were loud arguments in the audience between supporters and opponents of the work. These were soon followed by shouts and fistfights in the aisles. The unrest in the audience eventually degenerated into a riot. The Paris police arrived by intermission, but they restored only limited order. Chaos reigned for the remainder of the performance.[6] Stravinsky had called for a bassoon to play higher in its range than anyone else had ever done. Fellow composer Camille Saint-Saëns famously stormed out of the première allegedly infuriated over the misuse of the bassoon in the ballet's opening bars (though Stravinsky later said "I do not know who invented the story that he was present at, but soon walked out of, the première." [7]). Stravinsky ran backstage, where Diaghilev was turning the lights on and off in an attempt to try to calm the audience.
After the première, Diaghilev is reported to have commented to Nijinsky and Stravinsky at dinner that the scandal was "exactly what I wanted."[8]